Intaglio Printmaking: Drypoint Monoprinting: Painting & Collage
WI19 schedule art fundamentals drawing painting photography, video mixed media, printmaking art history, theory writing research project directed studies curatorial studies TUITION REFUND POLICY REGISTER

MIXED MEDIA & PRINTMAKING

Collage: Four Artists, Four Approaches (MMED218-36)

This 12-week course will focus on four contemporary collage artists: Romare Bearden, Mark Bradford, Beatriz Milhazes and Rex Ray. Assignments will be based on the thematic used by these artists including the figurative and abstract. The course will include a range or approaches and techniques as well as an emphasis on composition and structure. There will be slide presentations to profile of each of the selected artists.
Thursdays 10am - 1pm, Jan 17 - Apr 11
Tony Bounsall
Tuition: $425.00 (36 hrs)
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Intaglio Printmaking: Drypoint (PRNT216-36)

This course is an introduction to intaglio printmaking, offering an in-depth study of drypoint to expand one’s drawing practice. Students will be introduced to key printmaking terminology, explore basic engraving materials and techniques, and experience creating limited editioned prints with the printing press. Students will learn to use drypoint needles, etching squeegees, intaglio inks, registration systems, bevels, scrapers, burnishers, and other materials and equipment through explorations of grey-scale, color, and chine-collé printing, incorporating various metal plates. The course will include demonstrations, group critiques, and extensive studio-time, and is structured for students to integrate their own conceptual interests into their investigations of drypoint.
Saturdays 10am - 1pm, Jan 19 - Apr 13
Marina DiMaio
Tuition: $425 (36 hrs)
Material fee: $150 (includes inks, copper plates, etching tools and other specialized etching supplies)
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Monoprinting: Painting & Collage (PRNT219-36)

This course focuses on innovative ways of producing and incorporating monoprints and collage into a mixed media painting. Monoprinting, acrylic paint skins, collage modules (preassembled "collaged groupings"), image transfer and subtractive painting techniques will be explored. Monoprinting is a method of creating a one-of-a-kind print that uses a flat surface of a plastic plate where the ink is put on (additive) or removed (subtractive) to produce a range of tones and visual effects. Subtractive or negative painting techniques help to define form and strengthen composition by selectively removing or painting over part of the background. Course will also include presentations and hands-on demonstrations. Generating ideas from combining these techniques will help students push through many of the road blocks related to content and execution in mixed media painting.
Saturdays 2pm - 5pm, Jan 19 - Apr 13, 2019
Tony Bounsall
Tuition: $425 (36 hrs)
Material Fee: $45
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